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Trompe-l'oeil with an urban road delimited by high buildings. At the end, a church front. Inlaid work by Fra Giovanni da Verona, in the choir stall of the Abbey of Monte Oliveto Maggiore, in Chiusure, in the environs of Siena
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Trompe-l'oeil with an urban road delimited by high buildings. At the end, a church front. Inlaid work by Fra Giovanni da Verona, in the choir stall of the Abbey of Monte Oliveto Maggiore, in Chiusure, in the environs of Siena
Trompe-l'oeil with an urban road delimited by high buildings. At the end, a church front. Inlaid work by Fra Giovanni da Verona, in the choir stall of the Abbey of Monte Oliveto Maggiore, in Chiusure, in the environs of Siena. Siena Chiusure, Abbey of Monte Oliveto Maggiore, Choir Tarsia, Marquetry Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1503-1505. Artist:Fra Giocondo
Brogi
BGA-F-023831-0000
Media ID 33171071
© Alinari Archives, Florence
Architrave Brierlate Renaissance Furnishings For Sacred Spaces Leaf Pilaster Road Avenue Tympanum Vegetal Element Or Composition
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EDITORS COMMENTS
This print captures a stunning trompe-l'oeil artwork by Fra' Giovanni da Verona, showcasing an urban road bordered by towering buildings. At the end of this bustling street stands a majestic church front, drawing the viewer's gaze towards its grandeur. The inlaid work is found within the choir stall of the Abbey of Monte Oliveto Maggiore, located in Chiusure, near Siena. Dating back to the late Renaissance period between 1503 and 1505, this masterpiece showcases intricate marquetry and exemplifies both Renaissance and Renaissance-Baroque styles. The photograph itself was taken around 1920-1930. The artist Fra' Giocondo has skillfully incorporated various architectural elements into his composition. One can observe arches, pilasters, windows with detailed tympanums, and even a bell tower that adds to the charm of this urban landscape. The houses lining the street give a sense of everyday life within this religious setting. Nature also finds its place amidst these man-made structures as delicate leafy vegetation adorns parts of the artwork. This fusion of human creation with natural elements reflects both Christian symbolism and European artistic traditions. The image not only highlights exceptional craftsmanship but also provides insight into historical periods spanning from the first millennium A. D. to present times. It serves as a testament to how art transcends time and continues to captivate viewers across generations. Brogi's photography allows us to appreciate every detail captured in this remarkable artwork while preserving it for future admiration.
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